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ma anche quelle vicine che non vediamo e restano invisibili ai nostri occhi
off-text plate for Dernières Œuvres de Matissefor Verve 35-36
“Now there was a man in Jerusalem whose name was Simeon
Designed as tools for teaching and artistic practice
which flourished in the early decades of the 20th century
KŌRIN FURUYA, Kōrin-style Patterns n. 73, 1897 sculture ma anche quelle vicine cheStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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