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The movement identifies itself with the propulsive force of the wave
Paris on the occasion of the master's exhibition at the Maeght Foundation in Saint Paul de Vence
in order to transform it into a priority for the international political agenda
Vari altri personaggi con diverse posture sia in primo piano che sullo sfondo
It is simply a contemporary symbol that has lost its original function
CALDER ALEXANDER, L’arbre de la vie, 1971 sculture The movement identifies itself withPerfect impression, dition avant la lettre, Maeght Editore, Paris. Perfect condition, with uncut editorial margins. Bibliography Maeght, Arte Affiches 1964 71, 1972 77, no. 151.
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